Hey! Here is me playing along to the song Brighter Than Sunshine by Aqualung. I had noted the chords for my first post Welcome to Guitarthrill.blogspot.com! Hope you like this! I was really nervous! My timing was off later in the song, I know, but I think that overall that my playing was ok.
Monday, September 29, 2008
Monday, September 22, 2008
Trying something new out soon!
I am going to try something out soon! What I am planning on doing is taping the songs that I tabbed/described in previous posts, and posting them along with those descriptions. I already did the Brighter Than Sunshine song last night-I just need to edit it a little.
For now, I was thinking about distortion/overdrive sounds, and how they are all different-some are harsh, some are warm and some are a mix of the two. There's the solid state amp sound and the tube amp sound. I like them all, but I do tend to like the old warm overdriven tube amp sound-that classic sound.
Below are some songs with different overdrive/sounds. What do you think? Which kind of sound is your favorite type of crunch?
To me, there seems to be 3 main types-(I know that might be simplifying the sounds too much but in the interests of not getting too crazy and technical-lets say 3) of :crunchiness":
1. warm, tube classic -classic rock, older metal bands, punk
2. "tighter"-heavier, less-nuanced crunch-newer metal bands/thrash
3. mix of the two sounds above-80's metal, "grunge"
*Gonna try to post some songs you might not think of for this discussion of distortion/overdrive:
warm, classic crunch:
Dave Mason-Only You And I Know-I absolutely love the guitar sound in this song! Damn! That tone! &^%*! It just has the warmest, singing tones I have ever heard! When the chords are strummed, you can hear the individual notes, and the lead tone is awesome. As you can tell, one of my favorites in terms of tone!
*I know it says Gordon Lightfoot, but this is mislabeled. It really is Dave Mason!
Three more classic overdrive sounds:
James Gang-Funk #49 and:
The Bomber
One more classic sound:
The Who-Won't Get Fooled Again
The newer metal/thrash sound:
Rammstein-Du Hast
Metallica-Enter Sandman:
Dream Theater Forsaken
If you can think of some band that I missed for this type of sound, let me know-I am not as familiar with the newer metal bands.
Mixture of the two sounds:
Judas Priest-Breaking the Law:
Scorpions-Still Loving You:
So...do you have a favorite overdriven guitar sound, or do you prefer the mixture of both sounds?
For now, I was thinking about distortion/overdrive sounds, and how they are all different-some are harsh, some are warm and some are a mix of the two. There's the solid state amp sound and the tube amp sound. I like them all, but I do tend to like the old warm overdriven tube amp sound-that classic sound.
Below are some songs with different overdrive/sounds. What do you think? Which kind of sound is your favorite type of crunch?
To me, there seems to be 3 main types-(I know that might be simplifying the sounds too much but in the interests of not getting too crazy and technical-lets say 3) of :crunchiness":
1. warm, tube classic -classic rock, older metal bands, punk
2. "tighter"-heavier, less-nuanced crunch-newer metal bands/thrash
3. mix of the two sounds above-80's metal, "grunge"
*Gonna try to post some songs you might not think of for this discussion of distortion/overdrive:
warm, classic crunch:
Dave Mason-Only You And I Know-I absolutely love the guitar sound in this song! Damn! That tone! &^%*! It just has the warmest, singing tones I have ever heard! When the chords are strummed, you can hear the individual notes, and the lead tone is awesome. As you can tell, one of my favorites in terms of tone!
*I know it says Gordon Lightfoot, but this is mislabeled. It really is Dave Mason!
Three more classic overdrive sounds:
James Gang-Funk #49 and:
The Bomber
One more classic sound:
The Who-Won't Get Fooled Again
The newer metal/thrash sound:
Rammstein-Du Hast
Metallica-Enter Sandman:
Dream Theater Forsaken
If you can think of some band that I missed for this type of sound, let me know-I am not as familiar with the newer metal bands.
Mixture of the two sounds:
Judas Priest-Breaking the Law:
Scorpions-Still Loving You:
So...do you have a favorite overdriven guitar sound, or do you prefer the mixture of both sounds?
Monday, July 28, 2008
Hmmmm....interesting!
Hey gang! I just "re-realized" something! I have been playing a lot on my steel string acoustic guitar lately-even playing and learning lead stuff like Rikki DLTN, Boston songs, Badfinger, and The Rasberries.
I use heavier strings on my acoustic-(.013-.056-Martin Marquis's). I have not been able to take out my electric lately-its kind of pain to haul even the smaller old Rickenbacker amp out and connect adjust, etc, when I can just pull my acoustic out and jam. The only thing is that I can't hit some of those higher notes and sometimes it is really hard to do that heavy bending on some songs!
I guess that all that playing on the acoustic has paid off! I picked up my electric-just unconnected-and tried some of the same stuff that I had been doing on my acoustic. Geez! It felt like I was bending rubber bands! (Kind of!) It was soooo easy to bend and to hit some of those really high notes! And I don't use too light of strings on my electric either (usually .010 to .046's).
I remember quite a while back, I had read in a guitar magazine about how Stevie Ray Vaughn used very heavy strings on his guitars, and the story's author mentioned that a player's finger strength could be increased by using heavier strings. Of course, I wouldn't recommend using heavy strings for a beginning player. I prefer using the heavier strings just because of the feel, and the extra "oomph" I get out of them, but I think the only drawback is that the top (5,6) strings might get a little dead quicker, since they are so heavy. I don't know-maybe that's just my imagination!
If using these heavier strings on my acoustic makes it so much easier to play on an electric guitar, then I will surely continue to do that!
Do any of you play on an acoustic or use heavier strings on one guitar and then move to another? I guess this would be somewhat like what the baseball players do when getting ready to be at bat-swinging with weights on the bat or more than one bat(?)
Related Tags: strings electric+guitar acoustic+guitar
I use heavier strings on my acoustic-(.013-.056-Martin Marquis's). I have not been able to take out my electric lately-its kind of pain to haul even the smaller old Rickenbacker amp out and connect adjust, etc, when I can just pull my acoustic out and jam. The only thing is that I can't hit some of those higher notes and sometimes it is really hard to do that heavy bending on some songs!
I guess that all that playing on the acoustic has paid off! I picked up my electric-just unconnected-and tried some of the same stuff that I had been doing on my acoustic. Geez! It felt like I was bending rubber bands! (Kind of!) It was soooo easy to bend and to hit some of those really high notes! And I don't use too light of strings on my electric either (usually .010 to .046's).
I remember quite a while back, I had read in a guitar magazine about how Stevie Ray Vaughn used very heavy strings on his guitars, and the story's author mentioned that a player's finger strength could be increased by using heavier strings. Of course, I wouldn't recommend using heavy strings for a beginning player. I prefer using the heavier strings just because of the feel, and the extra "oomph" I get out of them, but I think the only drawback is that the top (5,6) strings might get a little dead quicker, since they are so heavy. I don't know-maybe that's just my imagination!
If using these heavier strings on my acoustic makes it so much easier to play on an electric guitar, then I will surely continue to do that!
Do any of you play on an acoustic or use heavier strings on one guitar and then move to another? I guess this would be somewhat like what the baseball players do when getting ready to be at bat-swinging with weights on the bat or more than one bat(?)
Related Tags: strings electric+guitar acoustic+guitar
Saturday, July 26, 2008
Overkill or pure guitar heaven?
I was checking out guitar clips on YT the other night and found this clip for the song Mediterranean Sundance. I had heard lots about the individual accomplishments of Paco de Lucia, Al Di Meola, and John McLaughlin, and also heard some of their collaborations. This clip here is a beautiful song and all, but to me this is overkill on the solos. Each guitarist just seems to be trying to out-gun the others with speed or complexity. Don't get me wrong-these guys are great guitarists, and granted, this event and others like it are to showcase the guitarist's talents. I guess I am the "weirdo"with this opinion here-comments on Youtube for this clip did not contain one comment with the same feelings I had about it.
What do you think? I am posting the three guitarists together for this song, and then individually to contrast and compare. (I like the individual stuff way better than the "supertrio" types of clips!)To be honest with you, I have to say that I like Al Di Meola's stuff the least-individual and when collaborating with other guitarists.
Paco de Lucia, Al Di Meola, John McLaughlin-Mediterranean Sundance-
John McLaughlin-Cherokee
Paco de Lucia-Entre dos Aguas
Al Di Meola-Orient Blue Suite
What do you think? I am posting the three guitarists together for this song, and then individually to contrast and compare. (I like the individual stuff way better than the "supertrio" types of clips!)To be honest with you, I have to say that I like Al Di Meola's stuff the least-individual and when collaborating with other guitarists.
Paco de Lucia, Al Di Meola, John McLaughlin-Mediterranean Sundance-
John McLaughlin-Cherokee
Paco de Lucia-Entre dos Aguas
Al Di Meola-Orient Blue Suite
Friday, June 27, 2008
This kid is cool!
I was surfing through some guitar clips on YT and found this young guy who likes Led Zep a lot, and does a hell of a great job playing some of Zep's songs on his YT channel! Kid's got very good taste in music! As a big fan of Jimmy P, it's nice to see a young kid jamming some Zep! Check him out! And, he has red hair! My son has red hair-although it's short right now! I told my wife maybe when he's like about 15-16 he'll have hair like that!
Related Tags: Jimmy+Page Led+Zeppelin Mini+Jimmy+Boy
Related Tags: Jimmy+Page Led+Zeppelin Mini+Jimmy+Boy
Tuesday, June 10, 2008
Nothing like a new pair of strings! Restringing and tuning
Last night I changed the strings on my acoustic guitar. I had been putting it off and putting it off some more, but I knew that I really needed to do it. My strings were pretty much dead-they sounded like rubberbands! And old rubberbands at that! The strings I had on it-Martin Marquis's lasted a long time and sounded great for a long time, but they needed to go! Changing the strings gave me a chance to do something with the saddle that I had been wanting to do for a long while also. The action on this guitar was pretty poor especially (as is usually the case) as I neared the 12th fret. I know that you should have a little bit more space in this area so that the strings will not buzz, but this was ridiculous! I think that this amount of "play" in this area was also affecting the accuracy of the tuning for the notes higher up.
Anyway, I took out the saddle and sanded away, but I was a little hesitant to sand too much, since I didn't have a "backup"! I read up on the 'net on how do this and saw too many horror stories about sanding too much and being out of a saddle-heh heh-out of the saddle. Well, I put the saddle back in and tuned up, it was still a little too high. The 6th string pin kept coming out also as I tuned up. More about that later. I resanded, this time more assured that I needed to take a bit off for this to work, and after I tuned up, what do you know-it was still high!
One last time I sanded this time sure it would be perfect, and it was but I still had a little trouble keeping the pin in for that damn 6th string. I did get some great information from Justin Sandercoe, http://www.justinguitar.com/ www.youtube.com/user/JustinSandercoeSongs?ob=1 who's stuff I have liked on Youtube about how to restring your acoustic guitar and how to deal with the pins being pulled out. I thought this was some great information. I really like his idea about giving the ball end of the string a little 45 degree angle! Check this out! (Actually, I still had trouble with this 6th string pin for a while until I was able to get it to wedge in there! I was a little wary of the pin popping out though for a while as I continued to retune after stretching!)
I liked part two of this little "lesson" about restringing, and I tried to do what Justin says he does in regards to how he inserts the string in the tuning pegs and how he winds the string, etc. I checked out several clips about how one should proceed with the tuning peg thing-some people said insert the string all the way and begin tuning with no slack in the string, and some say leave a little string slack" so that this slack can grab the string that's inserted in the tuning peg hole. (Like Justin's method)I chose to do it like Justin, since it seems like some windings around the tuning peg would help to keep the string in place and in tune. I had just done this before when restringing, just not as "neatly" as Justin does, with my windings going kind of haphazardly around the tuning peg!
My new strings are now beginning to stay in tune. I like to stretch them out somewhat, but I like to just play and do some lead stuff with a lot of bending to get them to stretch rather than stretching so much! Once I get the strings in tune or near pitch, I like to use the harmonic method described here by Jennifer Gamble (I think she was a little nervous on this clip-hell I don't blame her-I would be too!) from NextLevelGuitar.com http://www.nextlevelguitar.com/ to tune the strings to each other.
I have used this method for a long time, and it usually works pretty well for strings that are in good condition and if your intonation is ok. I don't do the part where she says to tune the B/2nd string to the B harmonic on the E/6th, and the E string to the E harmonic on the A string. I just use the B on the 3rd string/4th fret, to tune the B, playing the G string and the B string together to get a consonant or nice "G chord" sound. I also play the two strings together with the open G and a the C/1st fret and D/3rd fret to see how those sound-hopefully consonant, otherwise the B string may be too sharp or a little flat. The B string on a guitar can sometimes be the most difficult to get just right! It's kinda touchy and if you are off by not too much it can mess up your tuning!
I use the 5th fret on the B string to tune the E/1st string. I also play the two strings (B and E together) to get consonance. With the G string/C note-B string, G string/D note-B string and the B string/E string played together, what I am looking for is that 5th chord sound. A kind of "mini power chord" type sound.
So...what I'd like to know is-what method do you use to restring and tune up? Does anybody have some tips about bridge pins in a acoustic guitar? I would like to hear if someone has some different ideas about these things.
Related Tags: restringing acoustic+guitar Justin+Sandercoe Justin+Guitar.com Nextlevelguitar.com Jennifer+Gamble tuning
Anyway, I took out the saddle and sanded away, but I was a little hesitant to sand too much, since I didn't have a "backup"! I read up on the 'net on how do this and saw too many horror stories about sanding too much and being out of a saddle-heh heh-out of the saddle. Well, I put the saddle back in and tuned up, it was still a little too high. The 6th string pin kept coming out also as I tuned up. More about that later. I resanded, this time more assured that I needed to take a bit off for this to work, and after I tuned up, what do you know-it was still high!
One last time I sanded this time sure it would be perfect, and it was but I still had a little trouble keeping the pin in for that damn 6th string. I did get some great information from Justin Sandercoe, http://www.justinguitar.com/ www.youtube.com/user/JustinSandercoeSongs?ob=1 who's stuff I have liked on Youtube about how to restring your acoustic guitar and how to deal with the pins being pulled out. I thought this was some great information. I really like his idea about giving the ball end of the string a little 45 degree angle! Check this out! (Actually, I still had trouble with this 6th string pin for a while until I was able to get it to wedge in there! I was a little wary of the pin popping out though for a while as I continued to retune after stretching!)
I liked part two of this little "lesson" about restringing, and I tried to do what Justin says he does in regards to how he inserts the string in the tuning pegs and how he winds the string, etc. I checked out several clips about how one should proceed with the tuning peg thing-some people said insert the string all the way and begin tuning with no slack in the string, and some say leave a little string slack" so that this slack can grab the string that's inserted in the tuning peg hole. (Like Justin's method)I chose to do it like Justin, since it seems like some windings around the tuning peg would help to keep the string in place and in tune. I had just done this before when restringing, just not as "neatly" as Justin does, with my windings going kind of haphazardly around the tuning peg!
My new strings are now beginning to stay in tune. I like to stretch them out somewhat, but I like to just play and do some lead stuff with a lot of bending to get them to stretch rather than stretching so much! Once I get the strings in tune or near pitch, I like to use the harmonic method described here by Jennifer Gamble (I think she was a little nervous on this clip-hell I don't blame her-I would be too!) from NextLevelGuitar.com http://www.nextlevelguitar.com/ to tune the strings to each other.
I have used this method for a long time, and it usually works pretty well for strings that are in good condition and if your intonation is ok. I don't do the part where she says to tune the B/2nd string to the B harmonic on the E/6th, and the E string to the E harmonic on the A string. I just use the B on the 3rd string/4th fret, to tune the B, playing the G string and the B string together to get a consonant or nice "G chord" sound. I also play the two strings together with the open G and a the C/1st fret and D/3rd fret to see how those sound-hopefully consonant, otherwise the B string may be too sharp or a little flat. The B string on a guitar can sometimes be the most difficult to get just right! It's kinda touchy and if you are off by not too much it can mess up your tuning!
I use the 5th fret on the B string to tune the E/1st string. I also play the two strings (B and E together) to get consonance. With the G string/C note-B string, G string/D note-B string and the B string/E string played together, what I am looking for is that 5th chord sound. A kind of "mini power chord" type sound.
So...what I'd like to know is-what method do you use to restring and tune up? Does anybody have some tips about bridge pins in a acoustic guitar? I would like to hear if someone has some different ideas about these things.
Related Tags: restringing acoustic+guitar Justin+Sandercoe Justin+Guitar.com Nextlevelguitar.com Jennifer+Gamble tuning
Monday, June 2, 2008
Bo Diddley December 30, 1928-June 2, 2008
I would be remiss if I were not to mention that today the rock and roll world lost one of its great pioneers, one that lived in Los Lunas, NM, just South of ABQ, where I live. Bo Diddley died today of a complications from a stroke and later heart attack.
He moved to Los Lunas, NM in the early 1970's, and was a deputy sherriff for two years in that city. He moved from Los Lunas in 1978 to Archer, Florida, and lived there till his death.
He was and is a icon for rock and roll, blues, American Music. Who could ever forget that riff for "Bo Diddley"? So many people copied that riff! Here is a little video clip to remember Diddley's style and sound.
Related Tags: Bo+Diddley Los+Lunas New+Mexico
He moved to Los Lunas, NM in the early 1970's, and was a deputy sherriff for two years in that city. He moved from Los Lunas in 1978 to Archer, Florida, and lived there till his death.
He was and is a icon for rock and roll, blues, American Music. Who could ever forget that riff for "Bo Diddley"? So many people copied that riff! Here is a little video clip to remember Diddley's style and sound.
Related Tags: Bo+Diddley Los+Lunas New+Mexico
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